Isabel Coixet opens The Discipline of Chaos on Friday, September 11 at 12:00 noon at San Telmo Museoa.

Francisco Carolinum Museum presents the artist and poet’s first institutional retrospective. In ‘Read the Room’, the Colombian-American poet and multidisciplinary artist Ana María Caballero explores language as a living medium that continues to change through reading, translation, memory, the body, and technology. Her poetry moves beyond the page into installations, performances, moving images, sculptures, and generative systems. At the heart of the exhibition is the idea that meaning is not created by the writer alone. Readers, bodies, and the contexts in which we encounter language all become part of the work – turning poetry into something continuously evolving.

Daniel Canogar presents his permanent installation, Vértice (2026), a new public commission on Calle Juan Bravo in Madrid, commissioned by the Association of the Press of Madrid.

In a world where fleeting attention is captured by spurious information, truthful news are often overshadowed. Vértice is a symbolic representation of light as a metaphor for the clarity that journalism strives to uncover. Through their work, journalists illuminate the chaotic darkness of the world in order to give it meaning. Their testimony is a quietly heroic act that often puts their lives at risk.

‘Transversal’ at Kunstfestival Begehungen.
Curated by Claudia Tittel
Until 5.07.2026
Chemnitzer Schauspielhaus, Chemnitz. Germany

La Térmica opens Tangere, a painting exhibition by Nacho Martín Silva designed for blind and visually impaired visitors. This new in-house production, curated by Juan Francisco Rueda and developed in collaboration with the ONCE Delegation in Málaga, will be open to the public until September 20.

Tangere actively involves blind individuals as collaborators in the project, making inclusion an essential part of the artistic experience.

EAzkuna Zentroa – Alhóndiga Bilbao presents the works of the artist Glenda León (Havana, 1976, resident in Madrid since 2011) at the exhibition entitled "A tree falls in the forest".

A biometric memorial performance featuring one hundred wearable lightbulbs, each glimmering to the recorded heartbeat of a resident of Donetsk, Ukraine. In this performance, these one hundred heartbeats reappear as a processional memorial, carried by Ukrainian artist Maria Kulikovska. Using a sensor, participants are invited to record their own heartbeat, with each new recording replacing the oldest one, evoking mourning while affirming continuity, solidarity, and resilience in the face of ongoing war.

Rafael Lozano-Hmmer is pleased to present “Sintonizador Fronterizo | Border Tuner,” a book and archival film documenting the public art installation that connected Ciudad Juárez and El Paso with bridges of light controlled by the voices of participants. A warm invitation to the book launch and film screenings, with Rafael Lozano-Hemmer, co-curator Kerry Doyle, and editors Edgar Picazo Merino and Michael Nardone in attendance